Keira Knightley is on the
cover (via
Keira Knightley Fan) of the
April 2012 issue of
Interview Magazine, in which she was
interviewed by her
A Dangerous Method director
David Cronenberg.
Interview Magazine has
Keira Knightley's
several images from the
photoshoot for her
magazine cover and
interview/article, which you can read
Keira Knightley's full INTERVIEW here!
Here's an
excerpt of
Keira's
INTERVIEW (where she talks about her upcoming
Anna Karenina film. She also talked about her two other films
A Dangerous Method and
Seeking A Friend for the End of the World )...
Also, scroll down to see
several new images of
KK from the magazine below...
Discreetly, quietly, and with the sort of delicate earnestness that she
does most things, Keira Knightley has emerged as one of her generation's
preeminent period actresses. This, however, is less a comment on
Knightley's predilection for peddling in corsets in films such as Joe
Wright's Pride & Prejudice (2005) and Atonement
(2007), for which she has earned both Oscar and Golden Globe
nominations, and more one on her faithful, almost throwback, workaday
sense of what her job is and how to go about it. Knightley's film career
nominally began a very long time ago in a galaxy far, far away—her
first role in a major movie was a part as a handmaiden drafted into
serving as an expendable double for Natalie Portman's Queen Amidala in Star Wars: Episode I - The Phantom Menace (1999).
David Cronenberg, who directed Knightley in A Dangerous Method, recently caught up with the 27-year-old actress at home in London where she was enjoying some downtime after wrapping Anna Karenina in December.
CRONENBERG: I'm in my office in my house in Toronto. So you're finished shooting Anna Karenina, have you not?
KNIGHTLEY: We finished just before Christmas.
CRONENBERG: Another Russian girl.
KNIGHTLEY: I know! I'm not quite sure what that's about. I seem to be having a Russian moment. I've never even been to Russia.
CRONENBERG: Me neither. You didn't do a Russian accent for Anna Karenina, did you?
KNIGHTLEY: No, I didn't, even though you told me that I should. I think
you'll remember at one point in Venice you said, "Go back to Joe
[Wright] and have a thick Russian accent."
CRONENBERG: So was this version of Anna Karenina done in a big epic way?
KNIGHTLEY: It is sort of done in an epic way, but it was pretty much
all done on one set, so it's also a very stylized, deeply theatrical
kind of piece. It was the opposite of A Dangerous Method in
some ways, I think, with a million different shots and, you know,
there's just a completely different vibe. Sabina and Anna are not
similar, but there is this similar idea of the mind turning against the
person, which seems to be a theme in what I'm doing at the moment. But
the actual way of making Anna Karenina was completely different from how we made A Dangerous Method.
CRONENBERG: Did you look at any of the other adaptations of Anna Karenina that have been done?
KNIGHTLEY: I saw a couple of versions ages ago. I've seen the one that
was on TV in England with Helen McCrory playing Anna, and she's
wonderful. I also saw the Greta Garbo version, but years and years ago.
I didn't want to see it again just before I played the part because I
thought if I did something similar that I would want it to be an
accident, not because I've nicked it. But it's a very strange book,
that one . . . I don't quite understand what Tolstoy's actual personal
view of Anna is—whether he likes her or hates her, whether she's the
heroine or the antiheroine. There are moments where he seems to despise
her, and it's actually a book about a woman who is in some ways
despicable, so playing it without trying to make it too nice or without
trying to simplify it is actually kind of tricky. I think if it just
turns into a romance that it's not as interesting as the actual story.
Other
P&P '05 actors who were featured and had been
interviewed previously by
Interview Magazine are:
By Lorraine Cwelich
Carey Mulligan
By Susan Sarandon
By T. Cole Rachel
Rupert Friend
By Emily Blunt
By Michael Martin
Plus...
A screen test of
Jena Malone, shot by Gerard, for Adam Kimmel's Fall/Winter 2009 presentation in Paris. (no audio)
And more slide photos of...
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